Monday 30 May 2011

Jeff Conaway obituary

In the late 1970s and early 80s, Taxi was one of the best American sitcoms. It won 18 Emmy awards and its stars, among them Jeff Conaway, who has died in hospital aged 60, became household names. Conaway played the narcissistic, "resting" actor Bobby Wheeler, one of the characters working for the Sunshine cab company, all hoping for better jobs to turn up. In a way, the role mirrored Conaway's own struggle for greater recognition as an actor, which was not helped by his having been addicted to alcohol, cocaine and analgesics since he was a teenager.


In Taxi, the handsome Conaway , sporting the feathered hairstyle popular in the 1970s, had to compete with more fascinating characters in the avuncular Alex Reiger (Judd Hirsch), obnoxious Louie De Palma (Danny DeVito), sexy divorcee Elaine Nardo (Marilu Henner), unvictorious boxer Tony Banta (Tony Danza), and English-impaired immigrant Latka Gravas (Andy Kaufman). Most of the cast of the popular show went on to bigger things, while Conaway's one moment of glory in the cinema was already in his past.


He first made an impact as Kenickie in Grease (1978), released a few months before his debut in Taxi. As John Travolta's sidekick in the high-school gang called the T-birds, Conaway is a finger-snapping, leather-jacketed greaser, a comb and a witticism always at the ready. He says things like "You're cruisin' for a bruisin'?'' and "A hickie from Kenickie is like a Hallmark card, when you only care enough to send the very best!" He also does some nifty acrobatic dancing, especially in Greased Lightning, on top of a car – this resulted in a back injury that dogged him for most of his life. The cast were too old to play high-school students, but Conaway, at 28, was more convincing than most.


Conaway had already played the Travolta part in the Broadway production of Grease the year before, after starting as an understudy. In fact, Conaway had been on Broadway at the age of 10 in All the Way Home (1960) – based on James Agee's novel A Death in the Family – set in Tennessee in the early 1900s. The young Conaway, as a boy trying to come to terms with the death of his father in a car accident, was at the heart of the play. Although he was born in New York, the childhood summers spent with his South Carolina grandparents proved handy when auditioning for the part, because the director, Arthur Penn, wanted a boy with a southern accent.


He later enrolled in North Carolina School of the Arts, then studied drama at New York University. "I left three months before graduation," Conaway recalled. "There were hard feelings because I had the lead in a school production of The Threepenny Opera. But I was offered Grease on Broadway. Broadway! I couldn't turn it down."


After Taxi, Conaway was seldom out of work, though he found himself trapped in a vicious circle of trashy erotic thrillers in which he usually played a stud, and gradually, with age, detectives, fathers of teens (as in Jawbreaker, 1999) and strip-club owners as in Sunset Strip and It's Showtime (both 1993). His one directorial effort was Bikini Summer II (1992), a sex farce ending with a rock concert on the beach.


Conaway was much better served by TV, appearing in series such as Murder, She Wrote, Burke's Law and Matlock, and in 74 episodes of the science-fiction series Babylon 5 (1994-98) as Zack Allan, the tough security chief.


While he continued to act, Conaway was suffering from substance abuse problems, which came to a head in 1985 following his divorce from Rona Newton-John, the sister of Grease star Olivia, after five years of marriage. In 1990, he married Kerri Young, and had a subsequent fiery six-year relationship with Victoria Spinoza, a singer known as Vikki Lizzi. Earlier this year they filed restraining orders against each other, trading accusations of theft and violence, but were eventually reconciled.


Though Conaway sought treatment, he relapsed from time to time. In 2008 he appeared in the reality TV series Celebrity Rehab, in which he revealed his long-term addictions.


Conaway was found unconscious on 11 May due to a combination of legally prescribed painkillers to treat back problems and other medications. The adverse reaction caused him to contract pneumonia. He was put into a medically induced coma intended to aid his recovery, but was eventually taken off life support. He is survived by Vikki and his sisters Carla and Michele.


• Jeffrey Charles William Michael Conaway, actor, born 5 October 1950; died 27 May 2011


View the original article here

Sunday 29 May 2011

Grease actor Jeff Conaway dies

Conaway, who had a history of addictions to drugs, alcohol and prescription painkillers, was hospitalised earlier this month after being found unconscious in his Los Angeles area home.

He was suffering from pneumonia and sepsis, and had been placed in a medically-induced coma.

The actor's family took him off life support on Thursday, media reports said.

A native of New York, Conaway began his acting career on Broadway but found national fame when he starred as Kenickie in the 1978 film musical "Grease," alongside John Travolta and Olivia Newton-John.

He also became a television regular for playing Wheeler, a cab driver, on the hit comedy "Taxi."

Conaway's problems with addiction were documented in 2008 when he appeared on the TV series "Celebrity Rehab".


View the original article here

Rob Lowe at Hay Festival: internet shouldn't be immune to super-injunction laws

Talking to The Telegraph at the Hay Festival, Lowe, who just added his 100,000th follower on Twitter, said: “Twitter users in the US are not subject to UK laws, so that rules them out [of being pursued by the authorities]. So then we are really talking about Twitter users in the UK and if they broke the laws in their own country – then they broke the law right? I don’t think the internet should be immune to the standing laws of countries.”

He said that he was “amazed” by the concept of super-injunctions as these type of “gagging orders” would never work in the US, as they fly in the face of freedom of speech.

Lowe, who was one of the headline guests at The Hay Festival promoting his book, Stories I Only Tell My Friends, said that celebrities still deserved some level of privacy in the digital age.

“I do think there ought to be, should be and probably is, some area of privacy left over even for public figures in the digital age,” he said.

Lowe found himself at the centre of his own scandal more than 20 years ago, when a tape was leaked which showed him having sex with two girls, one of which was underage. He joked on stage at the Hay Festival to Mariella Frostrup that he was ahead of his time, as celebrity sex tapes online were commonplace now, but said it wasn’t always the best to be a trailblazer.

Lowe, who writes all his own tweets and has an iPad to access ebooks, said told The Telegraph he thought ebook sales were at the tipping point.

“We are at a tipping point. I actually just had this chat with my publisher, because everyone was very surprised that in my book sales, fully 50 per cent are ebooks.

“We are definitely at the point of huge change in publishing. I really think that a lot of the people buying my ebook might not have bought it in hardback - so I look at it like if ebooks are expanding the market share, then ebooks are a really good thing. But if they are not expanding the market – and the people who would have otherwise bought the hardback are now just buying ebooks then it is problematic – but that’s the world we live in and we have to move with the times.”


View the original article here

Heartbeats – review

HeartbeatsProduction year: 2010Countries: Canada, Rest of the world Cert (UK): 15Runtime: 95 minsDirectors: Xavier DolanCast: Monia Chokri, Niels Schneider, Xavier DolanMore on this film

This wispy French-Canadian comedy has an epigraph by Alfred de Musset: "The only truth is love beyond reason." It's mostly about what strange magic attracts members of the same sex and opposite sexes to each other, usually reluctantly and rarely happily. The articulate characters, all well-heeled students in Montreal, discuss it over coffee and across the dinner table. Marie, the heroine, talks about it post-coitally with a succession of boyfriends, and she becomes part of a triangle. The other members of the chaste ménage are her best friend Francis, a somewhat callow gay man (played by the film's talented young writer-director, Xavier Dolan), and the androgynous Nicolas, whom someone calls an Adonis. Together they make up a Jules et Jim trio, but with the narcissistic Nicolas as the obscure object of the others' desire. The style is nouvelle vague but more Godard than Truffaut, and it's likeable enough, though there's far too much slow motion.


View the original article here